The Yale Peabody Museum is the new home of the Collection

I am happy to announce that the woven footwear collection of the Straw Sandals Project has been gifted to the Peabody Museum of Natural History at Yale University.  This collection will be added to the Anthropology Collections as the Lawrence Hightower Collection of ethnographic, ethnohistorical and ancient footwear. 

Professor Anne Underhill, chair of the Yale Anthropology Department and Professor Roderick J. McIntosh, Curator of Anthropology at the Peabody Museum, visited the University of Connecticut in mid-September, 2019 to view the collection.  They were impressed by the breadth of the collection and by the detailed notes that accompanied each item of footwear.  Roderick McIntosh formally accepted the collection on behalf of the curators of the Anthropology Division on November 21, 2019.  The Senior Collections Manager Roger Colten transported the collection to New Haven, CT, several months later. 

The Peabody Museum is currently closed while undergoing a major renovation over the next two years that will double the exhibit space.  Once the museum re-opens, the footwear collection will be available for use by scholars and Yale undergraduates for projects.  It is my hope that items from the collection will be included in future exhibits especially one pairing the woven footwear version of cultural evolution with the human migration story.

I am indebted to many friends and colleagues who contributed woven footwear during their travels and especially to Ruixing Lu who collected for me in Wuxi and other parts of China, my daughter Leigh Moyers who collected in Japan, Michael Lynes who collected in Nepal, Robert M. and Nicole Tanguay who contributed Moroccan sandals, Nicholas Arisco who collected in Madagascar and to the late Donna Sakamoto Crispin, a wonderful fiber artist whose handicraft is included in the Yale collection.  I wish to thank Helen Neumann for helping me characterize and organize the footwear as part of the Straw Sandals Project at the University of Connecticut and also Allison Hillmon who wrote about the collection and who re-photographed the entire collection to improve its visibility.  Nicholas Arisco brought macro lens photography to the analysis of the collection. Pierre Goloubinoff who along with his daughter collected hard to find footwear in Northern India and two photographic models, Virginia Lee and Kousanne Chheda, made valuable contributions, as did artists and illustrators Francesca Holland along with Zanna Aristarhova, and also Phil and Libby Hooper during trips to Russia and Lea Sistonen from Finland.  And finally, thanks to by longtime friend and colleague Professor Barry G. Hall who created software that allowed us to study and classify the collection based on weaving methods and sandal construction techniques. – Larry Hightower

Science Magazine article: Finding the first Americans

This very interesting Perspectives article was published in the 3 November 2017 issue of Science magazine.  I have linked the PDF of the article here and the main figure is included so you can see the general hypothesis.  This has been called the kelp highway hypothesis and the authors state that most archaeologists as well as scholars in other disciplines now think that the earliest Americans followed the shorelines along the Pacific Rim.  This has become known as the kelp highway because the evidence for it would have been submerged by increases in sea levels occurring since the last glacial maximum, about 26,500 years ago.  

In the Straw Sandals Project, we are beginning to understand how the geographical clustering of sandal construction methods, obvious from the first phylogenetic or similarity trees that we made, can follow the ancient migration routes of humans, determined by genetic methods and also by linguistic studies of the relationships among the world’s languages.

How ancient peoples reached the shores of the Americas is still an open question the subject of debate.  There are many supporters of the Beringia land bridge route and this is the one shown in the figure in this article.  Another option, ancient Americans may have reached our shores on boats and rafts, traveling west to east, has also received interest.  Of course, both routes may have been used.

Sandal from Australia

More from the Stockholm Ethnographic Museum

The museum included an exhibit room for items from Australia.  Here, I found one of the most intriguing straw sandals.  All of the text cards were in Swedish, of course!  My friend and colleague John Eriksson translated them for us:

Sunday Island, Australia
Sandals
These sandals are made of the bark from a young tree. The Bark is  
first made softer by chewing the bark.
No. 1912.0.1.0922 Kimberley, Australia

These sandals, braided/plaited using the inner bark from a young tree,  
represent another example of a clever technology. These sandals could  
be made in just a few minutes and they protected the feet when the  
ground was too hot to tread. The sandals could also be used when their  
owner did not want to disclose his/her identity. Familiar footprints  
were disguised by these sandals.
___________________

   One card gave an origin, Sunday Islands, Australia, and also mentioned Kimberley, Australia.  This was very helpful as there are at least three islands named Sunday island in Australia, and the Sunday Islands (plural) are actually an independent republic, the closest land mass being Antarctica apparently. 

So here goes my interpretation.  Kimberley is often used to mean The Kimberley, the most northern part of Western Australia.  It is remote and ruggedly beautiful with only about 40,000 inhabitants, including Aboriginal peoples.  There is a Sunday Island off its coast in King Sound, so I assume this is the one we want.  I found a description that said it is the traditional land of the Diaui people and has been for thousands of years. Another source indicated that the traditional owners and original inhabitants of the area around King Sound are the Nimanburu, Njulnjul and Warwa indigenous Australian peoples. Apparently another tribe, The Bardi, operates tours to the island. 

I have had very little success finding straw footwear from Australia that may be attributable to the native peoples.  It would be quite a find if these bark sandals were made using an ancient handicraft from this region.  They are about as simple a construction is it gets, more wrapped bark strips than actually woven, though some simple weaving described in the exhibit card as plaiting, can be seen.  Sandals like these would be fashioned quickly as needed and were not meant to last much beyond an immediate need.  I would love to know their age!

 

______________

The sandals found in Australia have some remarkable similarities in construction to the ancient sandals made by the Anasazi peoples of the southwestern United States:

Anasazi sandals from southwest U.S. made by plain weaving on left and plaiting/braiding on right.  The sandal fragment on the left has two warps (passive elements), is a weft-faced weave, and the material used are yucca leaf elements, unspun and with intact cortex.  
_______________

Museum of Ethnography – Stockholm

Museum website

EthnoSw2Introduction:  

“The Museum of Ethnography is a place for everyone interested in the world. Bring the whole family on an extraordinary trip and experience art, culture and food in an exciting and inspiring environment. With pieces from America, Africa, Asia, Australia and Oceania the museum is a place full of dreams, achievements and treasures from Swedish adventurers, merchants, collectors and scientists. Restaurant Matmekka and museum shop. Free entry.”  copied from webpage.

The Storage, an ethnographic treasury, containing donated, found and abandoned items that travelers and explorers brought back to Sweden.  Approximately 6,000 items are arranged according to the materials with which they were made.  This is how items are cared for in the collections where they are stored under the various conditions of temperature and humidity that best preserve leather, straw, cloth, etc.  The idea is that different relationships among items may emerge in the mind of the visitor viewing them arranged in The Storage in this unusual manner.  There is very little information on the cards with the items about where they were collected.  In order to learn more about each item, the visitor has the option to borrow an electronic tablet computer from the front desk personnel to call up an item number and learn more.  Most of the museum is organized by geographic region and by peoples, e.g. an Australia section and a section on Native American Indian culture.  There are also contemporary ethnographic exhibits such as pantyhose!

We were there in early August, 2017, and there were very few visitors at the museum, which was clean and carefully lighted to highlight the well-constructed exhibits.  Most textual information was in Swedish and English, though sometimes the more detailed descriptions were in Swedish only.  I did not use the electronic tablet this trip as I was mainly interested in surveying what was on display.  Originally, I decided to visit the museum to learn more about Sven Hedin (1865-1952), the great Swedish explorer whose book titled My Life as an Explorer I had enjoyed reading as part of my preparation to visit the Silk Road during my trip to Western China in 2002.  I was surprised to learn from the docents that only a small corner of one of the rooms was devoted to this great explorer.  The docent said she wished it could be an entire room in the museum instead.  I asked of course about straw sandals and shoes.  She said that there were some scattered throughout the exhibit rooms and especially in The Storage where travelers had brought them back as gifts and momentos for friends and family.

My wife Gayle and I liked this museum very much and we decided we would revisit it with more time on any future trip to Stockholm.

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Japan14 a new wariji-style sandal pair in Collection

This pair of sandals is very similar to Japan3 (JpK9) already in the collection.  The nice addition is that we know exactly where in Japan the new sandals were made, a small village in Gifu Prefecture named Shirakawa-go, located at the foot of Mt. Haku-san in the northwest corner of the perfecture.  This village was registered as a UNESCO World Heritage Site in 1995 partly because many traditional Japanese crafts such as sandal weaving are still practiced there.  

Leigh Moyers bought these sandals and took the photos of the village while part of a US State Department delegation to Japan in December of 2016.  This style sandal was used by Samurai warriors in past times as they are lightweight and can be secured onto the lower leg using the long tie cords.  They are still used by some practitioners of martial arts and primarily by monks today. The material used to make these sandals appears to be rice straw.  Since Japan14 is so similar to Japan3, which as already been included in the phylogenetic analysis of the collection, it is possible to use the computer generated designation JpK9 (Japan3) to determine which sandals are most similar to Japan 14.  The answer is interesting and revealing.  I leave it to the interested reader to explore the answer starting on the Sandal Relationships page.

Kennewick Man: A Coevolution of Society and the Genome, a scholarly essay by Allison Hillmon

Kennewick Man: A Coevolution of Society and the Genome

The divide between the experimental truths of the hard sciences and the nuances of human culture grows increasingly narrow as each provides important feedback for the other. Rather than existing in separate realms, biological research endeavors often provide eye-opening explanations and rebuttals to age-old traditions and belief systems, and vice versa. Each viewpoint’s response to the other illustrates a dialogue that has only intensified over the centuries: Is scientific evidence more reputable than abstract human intuitions and social cues? Or do historical kinships and ancestral knowledge trump modern research methods? This important relationship became embodied by the discovery and exploration of Kennewick Man, an ancient Native American whose skeletal remains raised both inquiry and controversy among biologists and anthropologists and the resident Native American and Plateau tribes of the West and Northwestern United States. While his life concluded eight to nine thousand years ago, investigators have begun to imagine the human male living among his people on or near the Columbia River in Washington, and how he arrived at the river as his final resting place.

The discovery of Kennewick Man by Dr. James Chatters and colleagues in 1996 was magnified as a hallmark achievement when the findings of similar artifacts at the time were considered; only three other unveilings of human remains had surfaced prior to his uncovering along the Columbia River, marking him as only the second complete skeleton located on the North American continent (Chatters 2016, 55). Not only did his good preservation promise more than enough organic material for genetic, time period, and other analyses, researchers could begin to predict how he fit or clashed with the lineages of the American Indians of colonial America, or perhaps the pre-colonial tribes who preceded these natives. However initial radiocarbon dating soon estimated a birth of eight thousand four hundred years ago. The skull was also notable for its dissimilarities to more modern Native American peoples, displaying a “narrow face [and skull] and receding cheekbones, unlike the short, round skulls . . . [and] broad, flat faces” of the recent American Indians local to the skeleton’s discovery site (Chatters 2016, 63). This test in combination with craniofacial analyses refuted some speculations that Kennewick Man was a more current discovery.

Other opinions that the skeleton represented that of an ancient European were also undermined in light of historical migratory patterns. Certain characteristics of Kennewick Man’s long bones tempted the potential connection to modern Europeans, but as many pre-colonial tribes once migrated from East Asia and Europe to North America, many skeletal traits have been preserved over time across even these global populations (Chatters 2016, 64). This original migratory wave thus gave rise to all modern Native Americans. Divisions subsequently occurred around thirteen thousand years ago consisting of the Athabascans and northern Amerindians and the southern North American Amerindians, and gene flow also spread between the northern populations and the more northern Inuit people who arose from a completely separate migration originating from Siberians in northern Asia from around twenty-four thousand years ago (Raghavan et al. 2015). Even considering genetic mixing, Kennewick Man succeeded these early arrivals after only about three to four thousand years, making him an almost absolute ancestor to all Native Americans who followed him. More recently published analyses of skeletal material support this, reflecting high genetic affinities to Northern Native Americans according to model-based clustering of existing autosomal data (Rasmussen 2015).

Although Kennewick Man’s deep historical roots helped elucidate pre-historic migration into what is now known to be the United States, his distinct features and skeletal make-up appeared to cause more unrest between interested parties than it did placate pressing questions. Ownership of the skeleton was hotly debated between northwestern North American tribes, and also between themselves and the scientists who sought to claim the ground-breaking remains for the sake of research. Simple negotiation was ruled out as the issue soon became a concern for the Native American Graves Protection and Repatriation Act (NAGPRA), legally complicating the argument as to whom Kennewick Man rightfully belonged to (Rasmussen 2015). While the act highlights and enforces important distinctions and protections between the rights of individual families over their dead kin as well as the interests in sacred artifacts for the future generations of an entire tribe, ample argument has been made against NAGPRA as vengeful rather than advocative legislation. Some have held that the act wrongly exceeds its responsibility to solely guard the cultural rights of modern-day Native Americans and instead gives tribes the ability to gain a powerful foothold of revenge against the original white Americans, enabling them to steal back what was once unjustly seized from the Native American tribes who preceded the European settlers (Conklin 2014). However an equally fervent claim exists that the assertiveness of NAGPRA is all but necessary. The rights and interests of Native Americans past and present are being recognized increasingly as valid pursuits on the same level of priority as the more predominant “white” scientific groups, and the handling and collection of their human and cultural artifacts should be monitored to prevent encroachment and desecration. On top of these concerns is also an age-old wariness that, especially in the case of Kennewick Man, the identification of Native American remains as potentially non-Native American (and therefore excluding the relevance of NAGRPA) is in fact a propaganda device, bending scientific results in favor of “white” possession of Native American belongings (Conklin 2014). NAGPRA thus presented ambiguity that challenged researchers with the dilemma of advocating for either their promising findings on human ancestry or the voices of exploited yet historically prominent peoples.

In 2004 the legal conflict sided with scientific endeavors, allowing further study of Kennewick Man after the U.S. Corps of Engineers received significant pressure from citizens, scientists, and statesmen alike in favor of analyzing the skeleton (Rasmussen 2015). The Umatilla fought for ownership most notably for the remains due to religious discouragement against scientific exploitation of the dead, particularly skeletons. Repatriation was advocated as a viable course of action by the Corps, but DNA results would place him differently. Despite strong sentiment that Kennewick Man had been a direct ancestor of modern Native Americans, analyses of his skull determined him as a much closer ancestor of the Polynesian and Ainu peoples. Even given his predominantly Pacific and ancient East Asian origins, genomic data also pinpointed his strongest affinities to be with the Colville people, whom research supported most securely as potential rightful owners of the human remains, a conclusion supported by both autosomal and mitochondrial DNA as well as Y chromosome data (Rasmussen 2015, Raghavan 2015).

The discovery and subsequent debate over Kennewick Man exemplifies not the black-and-white authority of anthropological and biological science, but rather the complementary relationship between social constructs and research. While the true genetic identity of Kennewick Man was revealed to be far from an original Native American, the cultural intuitions of local tribes rightfully challenged and ultimately supported recent scientific revelations about the historical timeline of the skeleton and others like it that may have once existed. NAGPRA served its goal, implementing much-warranted checks and balances to scientists’ domain of curiosity. Kennewick Man stands not only as a symbol of Native American legacy and authority as people and cultures to be protected and celebrated, but also a milestone that helped restore good faith about United States governmental research to modern tribal peoples.

Work Cited

Chatters, James C. “Kennewick Man.” Northern Clans, Northern Traces: Journeys in the Ancient Circumpolar World. Smithsonian Institution, 2004. Web. 27 April 2016.

Chatters, James C. Ancient Encounters: Kennewick Man and the First Americans. New York: Touchstone, 2001. Print.

Conklin, Kenneth R. “The NAGPRA Law, and the Kennewick Man Controversy. Includes an article in September 2014 Smithsonian Magazine summarizing the Kennewick case and what was discovered.” 2014. Web. 27 April 2016.

Raghavan, Maanasa et al. “Genomic Evidence for the Pleistocene and Recent Population History of Native Americans.” Science (New York, N.Y.) 349.6250 (2015): aab3884. PMC. Web. 27 Apr. 2016.

Rasmussen, M., et al. “The Ancestry and Affiliations of Kennewick Man.” Nature 523.7561 (2015): 455-8. Web.

Tides, a perspectives piece by Allison Hillmon

Tides

The River commands life and death, and so we follow the ebb of its tide wherever the wind and the waves meet. Many callused feet have padded its bank, soles cradled by soil soaked and dried a thousand times over. There are crystal gems on the surface—fleeting so as not to be mined by human hands—glinting white-hot under the high noon. Millions of these jewels ripple through the current each day, a mix of broken sunlight and the scaly backs of salmon and silvery steelhead trout. We gaze gratefully at these creatures as they leap with new energy in autumn, abundant to fill our stomachs.

The bison and cattle are our companions at the River’s edge, kneeling like beasts in prayer to quench our animal thirsts. Reeds and stalks of long grass snap crisply under our strong grips, and their melon-green shafts wave healthily in the breeze. Deft hands will strip and mold them into a new purpose: the netted bottoms of baskets, a durable patch for a sitting mat, a cover for a sore foot. Hemp transforms into a sturdy blanket for one man’s back, the fibers stained a fiery crimson. What remains becomes a carrying pouch on a woman’s hip as she combs through the grass for roots.

Harsh words shatter the peace. The smooth brows of young children begin to crease. Quarrels ignite among men: stolen rations, a disgruntled loved one, a dead horse. Silver glints like daylight does on the River, this time clutched in the fist of fury. Limbs fly, chests are punctured. A welt becomes an ugly bruise beneath a sullen gaze. A man would find flecks of obsidian in his breast a week later, and another would learn to limp with his pierced hip. The tumult dies with the wind, indistinguishable in an instant. We find ourselves lulled again by the running River, a ceaseless tide of life and death.

Allison Hillmon

 

Editor’s Note:  Tides is a piece of creative writing submitted by Allison in May of 2016.  It is based on her research into the approximately 9,000 years old skeleton known as Kennewick Man, found along the Columbia River, near Kennewick, Washington in 1996.  “Tides” was submitted as part of Allison’s honors thesis at the University of Connecticut.

Allison’s Presentation at McNair Scholars Luncheon

Allison&ReneeOur Straw Sandals Project student intern Allison Hillmon presented her honors thesis project at the McNair Scholars luncheon at the University of Connecticut this past semester.  Allison is on the left in this photo and next to her is the Director of the McNair Scholars Program Dr. Renée Gilberti.  The gallery below is Allison’s PowerPoint presentation just to inform her fellow McNair Scholars and their mentors on what she was doing.  I think it is the first public talk about the Straw Sandals Project.  Allison successfully completed her honors thesis and I will post some of her writings here in the near future.  In addition to re-photographing the entire SSP collection in a much more professional manner, Allison wrote a scholarly report updating the story of Kennewick Man, an ancient skeleton that washed out of a bank along the Columbia River in Washington state, and she wrote an imaginative essay on what it may have been like to be living there in those pre-historic times almost 10,000 years ago!

Molecular Weaving for Weavers!

I am sure that there are small numbers of chemists and materials scientists who weave for a hobby and for relaxation, but when I read the article in Science (22 January 2016) discussed here, I suspected that I would be rare if not unique in being equipped to explain this remarkable chemical synthesis to my weaver friends!

I hope that I can do justice to both communities.  I tend to view the Straw Sandal Project website as a place on the web for biologists who never quite got over wanting to be anthropologists and for weavers and shoe designers looking for inspiration.  But it turns out this biologist majored in chemistry at a small college in Virginia, Hampden-Sydney College with only 500 students at the time and a chemistry department that was small in size but large in opportunities to learn and grow as a scientist.  So, even though I have not read a hard core chemistry research report in years, thanks to some great teachers years ago, I had no problem with the organic and inorganic chemistry in the report by Y. Liu et al. on page 365 titled “Weaving of organic threads into a crystalline covalent organic framework”.

In some ways, it was more challenging to open the pages of Irene Emery’s classic The Primary structure of Fabrics and begin searching for similar weaves and nomenclature.  How many chemists I wonder have a copy of Irene Emery’s opus within arm’s reach!  Science devoted a very nice cover to the story.  The cover was described as an “Illustration of woven molecular fabric.”

 

ScanMy thought was, OK how will my weaver friends see this?  I think Irene would agree that this construction is a balanced plain weave with the warps and wefts made of the same material.  So far so good.  But what about the thread (some would say yarn, but I think the chemists are good with using the term thread).  I would call it plied thread composed of Z-twisted elements.  Oops, this is not what the chemists made.  They used a copper I cation to bind two identical organic molecules.  Four nitrogen atoms, two from each organic molecule formed a reversible coordination complex with the cation.  The organic molecules, think of each as a short piece of thread, are held in just the right position so that they cross or interlace.

My weaver friends are going to want to know if a loom was used.  I think that this copper 1 coordination complex is a molecular loom.  Think of the two organic molecules as threads attached to a loom like warps strung on a typical weaving loom in preparation for weaving.  To extend the threads, the chemist adds a small linear reactive molecule, an imine in this case.  The imines attach to the four ends of the two threads on the molecular loom if you will.  Now the other reactive ends of the imines are still available to add another molecular thread to each one, so the weaving starts by extending the length of the original threads.  Or alternatively, another molecular loom can be added to each free end of the imine group.  At the end of the molecular weaving, the copper cation can be released and so the molecular loom is essentially released from the tiny piece of woven molecular material.  If you look at the cover image, you can see where each tiny loom was situated.  Wherever the two threads interlace is where the copper 1 coordination complex, the molecular loom, was set up.  So there are many tiny looms at work at the same time to weave a molecular textile.  Each crossover point marks the place where a molecular loom set up a starting place with two molecular threads oriented for weaving in four different directions.

How will this new kind of woven material be used?  Certainly a major use will be in nano-scale (a nanometer is one billionth of a meter, if you can visualize that: I cannot!) machines to create special environments for chemical reactions or to create surfaces on which to organize mechanical tasks.  Another idea presented in a perspectives article titled “Interlacing molecular threads” by Enrique Gutierrez-Puebla in the same issue of Science is that these materials may be considered as molecular sponges capable of sopping up metal ions in liquid waste. An idea that popped into my mind as I was reading an article on new ways to restore and protect works of art, especially out of doors, such as murals and mosaics, may be to cover them with just the right kind of molecular woven material tailored to counteract corrosive chemicals specific to the environment of each piece.  See article on recent restoration techniques.

 

One final observation is that most of the authors of the scientific paper are Asian scientists.  I wonder if in China and Japan they wore and played with woven baskets and scandals.  Did early contact with woven materials influence their creative thinking about approaches to molecular weaving?

Moroccan Shoes in Paris

My friend and colleague Robert M. Tanguay and his wife Nicole were on an extended visit to Paris recently and they found a small shop that had the Moroccan hand woven raffia shoes pictured here for sale. Robert and Nicole purchased three pairs and generously donated them to the Straw Sandals Project.  There are no signs of wear on the bottoms of the soles and yet the shoes, especially the vamps, do not appear to be made recently. None of them is stamped “made in……” although there is a stamp mark on the inner sole of one pair that I may ultimately be able to trace. I think it is safe to assume that they were made in Morocco, based on the distinctive styling of these shoes. Why is this even a question you may ask? The distinctive weave seen here, and I have read that it arose in North Africa in what is the region of present day Morocco, is very popular today among high end shoe designers.

The second image shows a pair of the Moroccan shoes from Paris along with a pair of Ferragamo flats on your left and a pair of Carrie Forbes flats on your right. A close-up in the third image shows the identical Moroccan weave in each shoe. The latter two pairs of shoes were made in Italy.

The next image shows a pair of Joseph Azagury woman’s shoes designed in London and made in Italy. Joseph Azagury shoes are now handcrafted in London.  Again, the distinctive Moroccan weave was used to make the vamp. The designer Joseph Azagury was born in Morocco, raised in Italy and now lives in London! The final image shows the Azagury shoe beside a Moroccan shoe, verified as made in Morocco, that is item Mor2 in the Straw Sandals Project collection. The close-up shows the Moroccan weave in each shoe. Contemporary designers are helping the weavers and their ancient handcrafting and distinctive weaving to survive in our modern world.

Morroccan Shoes RMT1.72 Morroccan Shoes RMT2.72 Morroccan Shoes RMT3.72 JosephAzaguryshoes.72 Mor2comparedtoAzagury.72